Onam is an annual harvest festival, celebrated mainly in Kerala, although celebrations also occur among the diaspora. It is the foremost festival among the cultural repertoire of Malayalis, and falls during the month of Chingam (August–September as per the Gregorian calendar), the first month of the Malayalam calendar and lasts for ten days from the Star Atham in Chingam. Though it is essentially a harvest festival of Malayalis, mythologically it is linked to Malayali-Hindu folktales. Like many other religious festivals in India, Onam is celebrated by people across all castes and faiths. Onam has been part of Malayali psyche for centuries. There are records of Onam being celebrated during the Sangam Age. The earliest record of Onam is found during time of Kulasekhara Perumals around AD 800, soon after the Kalabhra Interregnum of Kerala History. Until the eighth century the political history is mostly unknown and is usually known as the Kalabhra Interregnum. Kalabhras were supposed to have been ruling Kerala until at least the sixth century. Kalabhras probably refers to Keralaputras. They are believed to be people of Mayavi.
The festival is marked with offerings to the divine called Vishukkani. The offerings consist of a ritual arrangement in the puja room of auspicious articles like raw rice, fresh linen, golden cucumber, betel leaves, arecanut, metal mirror, the yellow flowers konna (Cassia fistula), and a holy text and coins, in a bell metal vessel called uruli. A lighted bell metal lamp called nilavilakku is also placed alongside. This arrangement is completed the previous night. On the day of Vishu, the custom is to wake up at dawn and go to the puja room with the eyes closed so that the Vishukkani is the first thing one sees. Since the occasion marks the beginning of Malayalam New Year, it is also considered auspicious to read verses from Hindu Holy book Ramayanam after seeing the Vishukkani. It is also believed by some that the page of the Ramayanam to which you open up will have a bearing on your life in the coming year. Devotees also throng the well-known temples like Sabarimala Ayyappan Teample, Guruvayur Sree Krishna temple to have a "Vishukkani Kazhcha" on the early hours of "Vishu" day.
Their population has been greatly reduced from historical numbers, as many have emigrated to Israel to settle in the Negev. Part of the decline in Kerala's Jewish population can also be attributed to conversion. Many of the Jews that converted during the time of Saint Thomas became Kerala's Nasrani or Saint Thomas Christians.
Malayali cultural genesis can be traced to their membership (around the 3rd century CE) in a well defined historical region known as Tamilakam, encompassing the Chera, Chola, and Pandya kingdoms and southern coastal Karnataka. Later upon the arrival of other ethnic groups such as Namboothiris, Nairs, etc. the distinct culture took shape. This was later elaborated upon by centuries of contact with foreign cultures such as Syrian, Judeo, Arabian, Portuguese, English communities which have left their mark. These foreign communities often settled in Kerala and assimilated with the local population resulting in different ethnic groups such as the Cochin Jews, Mappilas, Syrian Malabar Nasranis, and Anglo Indian.
However, many of these native art forms largely play to tourists or at youth festivals, and are not as popular among ordinary Keralites. Thus, more contemporary forms – including those heavily based on the use of often risqué and politically incorrect mimicry and parody – have gained considerable mass appeal in recent years. Indeed, contemporary artists often use such modes to mock socioeconomic elites. In recent decades, Malayalam cinema, yet another mode of widely popular artistic expression, have provided a distinct and indigenous Keralite alternative to both Bollywood and Hollywood.
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